TIM BURGESS announces new solo album ‘I Love The New Sky’ out 22nd May

TIM BURGESS announces new solo album 'I Love The New Sky' out 22nd May 1

Tim Burgess has announced news of his new solo album I Love The New Sky released 22nd May via Bella Union. To celebrate the occasion Burgess has shared a fiendishly brilliant video for lead track “Empathy For The Devil” and announced an extensive run of UK and US live dates which are listed further down.

How inspiring it is to hear Tim Burgess conjuring up exciting and life-affirming sounds as he, almost inconceivably, enters his fifth decade on public duty. Frontman, singer, label boss, DJ and author, he’s been instrumental in so many great records over the years, always bringing enthusiasm, positivity and diversity of influence, which altogether light the way for those who hold him, dear.

While in The Charlatans, Tim’s indefatigable energy has been a consistent fuel for the band across thirteen high-charting albums, his solo adventure has been no less extraordinary, scaling new heights in 2020 with his fifth solo release to date: ‘I Love The New Sky’. Released via Bella Union, it features wonderfully connective songs of everyday minutiae and universal experience, of love and anger, of loss and belonging, all united by elaborate yet natural arrangements and an effortless but deceptively expert way with melody.

Check out the video for ‘Empathy For The Devil’ – BELOW:

‘I Love The New Sky’ differs from its predecessors in that all twelve tracks were self-penned. “In the past, I’ve written collaboratively,” says a characteristically, but rightfully, excited Burgess. “(2012’s) ‘Oh No I Love You’ was written with Lambchop’s Kurt Wagner in Nashville, and then ‘Same Language, Different Worlds’ was a collaboration with Peter Gordon who had worked extensively with Arthur Russell.”

The twelve tunes of ‘I Love The New Sky’ were authored, he says, “in Norfolk, in the middle of the countryside, with the nearest shop eight miles away. There are no distractions, and I guess that way things happen. I wrote everything on acoustic guitar, and the chords were really considered. The guitar lines would lead the melody, and the melody would inform the lyrics – just dreaming away with music.”

So far, so Laurel Canyon, though ‘I Love The New Sky’ would end up sounding anything but hippie/folkie, thanks to a connection Tim made while living in a warehouse space in gritty Seven Sisters in North London, before heading to Norfolk. “The Quietus had their office there,” he recalls. “I used to know pretty much all the stuff they were writing about, but then their album of the year for 2013 was ‘Glynnaestra’ by Grumbling Fur, and I really fell in love with it. I started talking to the band about working together. To cut a long story short I recorded a song with Grumbling Fur, they remixed two Charlatans tracks and a couple of Daniel O’Sullivan’s solo albums came out on my label.”

As well as arranging and production duties on I Love The New Sky, O’Sullivan plays bass, drums and piano, from the bouncing chamber-pop chords of ‘Sweetheart Mercury’ and the punchy chorus of ‘Empathy For The Devil’, through to ‘Comme D’Habitude’’s juxtaposition of blissfully rolling West Coast singer-songwriting and a complex Sparks-y Broadway-esque bridge, to the Velvets-y ramalama moves on ‘Warhol Me’ and ‘Undertow’’s sombre balladry.

The album was arranged and recorded quickly but not rushed: “Ideas happen fast, don’t they?” Tim reasons. The first sessions at Eve Studios in Stockport were with long-serving Charlatans engineer Jim Spencer. Tim, Daniel and Nik Void cut three tracks in two days, with Nik layering up modular synths in line with her previous day job in Factory Floor.

A third keyboard maestro entered the picture when Thighpaulsandra, a maverick musician and producer, came into the frame, best known for his work for Julian Cope, Coil Spiritualized and Elizabeth Fraser. I found out that he was based at ‘Rockfield’ [legendary residential facility near Monmouth, South Wales]. So I said, ‘Okay, that’s where we’re going to record the rest of it’.” As well as enlisting his know-how as an engineer, the cosmically-inclined Welshman also applied vintage synths and what Tim hazily calls “wizardry”.

The results are nothing short of astounding. ‘I Love The New Sky’ has landed somewhere between Paul McCartney’s ‘RAM’ and Brian Eno’s ‘Taking Tiger Mountain (By Strategy)’ and certainly that recipe covers both the all-pervasive tunefulness and high quality. Stylistically, though, it runs the widest gamut, from ‘Empathy For The Devil’s gospel-style rockabilly skip, through to the sophisticated song-craft of ‘Sweetheart Mercury’ and the Nilsson-esque ‘Sweet Old Sorry Me’, with the angst-y gravitas of ‘Undertow’, which Tim describes as “a mood-changer, influenced by 10cc.”

Tim Burgess

Lyrically, this might almost be a defining collection from Burgess after thirty years honing his craft. There’s plenty of typical lightness of touch of ‘Only Took A Year’s joking reference to the album’s twelve-month gestation period, and the quip, “what’s your favourite Cure LP? I like ‘Pornography! But it could be any one of three.”

‘I Got This’ has the line “the future is friendly”. Says Tim: “Everyone’s been going through a lot of tough times. And the future is uncertain. But you have to have that optimistic outlook – like, waking up in the morning and feeling that it’s gonna be a good day.”

The final stages of the album’s year-long narrative arc were enacted at Jet Studio in Brussels, with the Echo Collective string section. Burgess looked on “mesmerised at what was happening to the songs, taking an even more magical turn.”

With that icing on the cake, Tim is in no doubt that he has his finest solo record under his belt. He’ll be touring the album with a live ensemble featuring Daniel O’Sullivan, Thighpaulsandra, another O Genesis artiste called Keel Her, and renowned avant-jazz violinist Peter Broderick, who plays on ‘’Empathy…’ and will recreate the Echo Collective parts, too. So, the community will grow. Just like Tim says, “the future is friendly.”

Shows

12 Mar 2020 New York Pianos United Kingdom
13 Mar 2020 New York Berlin United States
14 Mar 2020 New York The Delancy United States
19 Mar 2020 Austin Palm Door United States
20 Mar 2020 Austin Lazarus Brewing Co. United States
01 May 2020 Newcastle Hit The North United Kingdom
02 May 2020 Leeds Live At Leeds United Kingdom
03 May 2020 Liverpool Sound City United Kingdom
20 May 2020 Nottingham Rough Trade Nottingham United Kingdom
22 May 2020 London Rough Trade United Kingdom
24 May 2020 Totnes Sea Change Festival United Kingdom
25 May 2020 Bristol Rough Trade Bristol United Kingdom
27 May 2020 Manchester Night & Day United Kingdom
06 Jun 2020 Barcelona Primavera Sound Spain
09 Jun 2020 Nottingham Rescue Rooms United Kingdom
10 Jun 2020 Kendal Brewery Arts Centre United Kingdom
12 Jun 2020 Glasgow King Tut’s United Kingdom
14 Jun 2020 Bristol Thekla United Kingdom
16 Jun 2020 Cardiff Clwb Ifor Bach United Kingdom
17 Jun 2020 Portsmouth Wedgewood Rooms United Kingdom
18 Jun 2020 London Oslo United Kingdom
20 Jun 2020 Manchester YES United Kingdom
26 Jul 2020 North Yorkshire Deer Shed Festival United Kingdom

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