After making their triumphant return in April with the enormous single 'No Angels', The Big Pink are back once again to unveil their glorious new effort 'Love Spins On Its Axis' featuring British duo Dust In The Sunlight. Co-written with Jamie T and The Kills' Jamie Hince and featuring a cameo from Jamie T on vox and guitars.
Continuing the broad and soaring energy they have always possessed, 'Love Spins On Its Axis' delivers a raw and driven return, brimming with euphoric textures. Featuring with fast-rising outfit Dust In The Sunlight, this new release looks to push their signature sound to new heights and give this long-awaited comeback a dose of vibrant power throughout.
Speaking about the new song, the band's Robbie Furze said, "'Love Spins On Its Axis' is probably the most hopeful song I've ever written. My life got pretty confusing and I started feeling like I was in a bizarre surreal war that I was never going to make it out of. It was from the depths of that darkness that I had this moment of perfect clarity and calm. I started questioning "what's most important on this journey that I am on?" It's Love. Pure & simple. It has always been love. It's about not getting distracted from that, not wasting a single moment on things that are not important, things we can't control. Love is everything. That's what we need to fight for. Let's start that revolution."
The Big Pink also today announce their live return with a run of intimate shows in the UK this July. Tickets are on sale today @ 10 am HERE. More live shows are to be announced over the coming months.
22nd July - Chinnerys, Southend-on-Sea
23rd July - The Silver Building, Royal Docks London
25th July - Elsewhere, Margate
26th July - The Horn, St Albans
27th July - The Fighting Cocks, Kingston-upon-Thames
28th July - New River Studios, Haringey London
29th July - Corn Exchange, Hertford
Watch 'Love Spins On Its Axis' - BELOW:
A decade is a long time in music. One listen to The Big Pink's latest offerings, however, and the ten years since we last heard from them melt away. Grandeur mixed with melancholy, singalong tunes tinged with nagging doubt, dreamlike atmosphere and pure noise, electronic dystopia shrouding a spirit of hope, all driven by the big questions on identity, purpose and belonging... It’s all in there. And those ten years out of view have brought to The Big Pink a new character: experience.
"The first album was that classic thing: is this actually happening?" says Robbie Furze, the sole founder member since his musical partner Milo Cordell left in 2013, of The Big Pink's 2009 breakthrough 'A Brief History of Love'. "There were no expectations, just two best friends working on music together, and to us it felt like an explosion. Then came the second record [Future This, 2012], which we thought we could bash out because we were now so busy on tour, but we soon realised that it didn't have the same romance or importance of the first record and that affected Milo deeply. I remember doing the first gigs after Future This and thinking: something doesn't feel right here. We were trying to get the songs written as quickly as possible and we neglected the essence of The Big Pink in the process."
After a huge tour of Asia that, in Furze's words, 'finished us off,' he and Cordell decided to step away from music; to avoid the fate of so many bands who fall into the recording-touring treadmill and kill the passion that first opened their hearts along the way. There was no major split, no blazing rows presented to the world as musical differences, just an understanding that it was time to move on.
Milo Cordell concentrated on running his record label Merok, while Furze felt a strong urge to change the backdrop and start anew. "I fell into DJing in Los Angeles. London was on a bit of a downer at the time, especially if you were in a rock band, and there seemed to be a lot of English musicians moving to LA - it was the place to be. A friend of mine was opening a bar in Silverlake called Tenants of the Trees and it felt like the beginning of a movement. It had the beautiful models, the token celebs, the bands I love... There I was with Black Motorcycle Club and Queens of the Stone Age, and I was Robbie from the Big Pink, DJing on Tuesday nights. It was fun." For a moment Furze considered a future as club owner, before realising that he really should be getting back to making music of his own.
"And that's when things started happening again because there are a lot of lost artists in LA; people who have gone out there with their talent and lost their way. LA's great when you're on the up but if you find yourself having fallen out of favour it can be hard to get back on the proverbial treadmill. But if you can get those people in the room for a moment, lovely things can emerge from the chaos."
The Big Pink's drummer Akiko Matsuura was back on board while Charlie Barker, a visual artist from Nottingham, joined on bass guitar. Furze bounced musical ideas off a network of friends either visiting or resident in Los Angeles including Jamie Hince from the Kills, Nick Zinner from the Yeah Yeah Yeahs, Jamie T and Joel Amey from Wolf Alice, the latter suggesting that Furze resurrect The Big Pink to do a US tour with Wolf Alice in 2018. "That reinvigorated me because going on tour is like going to war: it’s so hard but you feel invigorated by the pain, especially if you are back on a support tour, shlepping your own amplifiers around. It gives you a tangible feeling on what it means to be a musician."
And so begins a new chapter for The Big Pink...