SPIRITUALIZED announce ‘Let It Come Down’ – the final instalment of The Spaceman Reissue Program

SPIRITUALIZED announce 'Let It Come Down' - the final instalment of The Spaceman Reissue Program 1

With this week’s release of Ladies and Gentlemen We Are Floating in Space, Spiritualized and Fat Possum Records today announce the final instalment of The Spaceman Reissue Program. Let It Come Down, the band’s epic fourth album will be released on 22nd October.

The album is the fourth in this series of 180g double albums mastered by Alchemy Mastering, presented in a gatefold jacket with reworked artwork by Mark Farrow and available in both a standard black vinyl pressing and limited edition ivory-coloured vinyl exclusive to D2C / indie retail.

Let It Come Down saw Jason Pierce rebuilding Spiritualized after the core line-up dissolved following the intensive touring process of Ladies And Gentlemen… Dion’s Phil Spector-produced ‘Born To Be With You’ was an influence. The initial recordings were made at John Coxon’s studio before some 115 different musicians were brought into Air and Abbey Road Studios to work on these 11 songs. Spiritualized had always made wide-screen music but this time the movie theatre was the size of the Coliseum.

To mark the announcement the band have shared the video for “Do It All Over Again”. Watch BELOW:

Commenting on the album today Jason Pierce recalls:

“It all fell apart a little bit during this period. With Ladies & Gentlemen we had everything. We had Kate on keyboards, John on guitar, Damon (Reece) and Sean (Cook) on drums and bass and everything seemed to find its space in a beautiful way and then that fell apart. It just wasn’t there any more – the politics of being in a band. So, I was trying to build something out of that.

I recorded demos for these tracks at John’s studio again. And it was just putting all these parts together, writing for instruments I’d never written for before, the basslines, the flutes and the French horns and I’d never done that. Changing instruments around so I would try the bass playing the flute parts or vice versa. So when it came to actually making the record it was like ‘well, all we need to do now is replicate those on the real instruments’ which is kind of what we did; an amazing time at Air Studios where we pulled in every instrument under the sun. Bass strings, bass clarinets, ten trombones. And I remember talking to Dr John again and he said: ‘Nobody ever stopped to say how many you SHOULD have in a section?’ because there IS no ten trombones. There is no section like that.

It’s a funny record to me because in a way it’s so conventional but it’s got some of our most sublime moments. A lot of people say Ladies & Gentlemen is where it happened because it’s when they first got aboard, found out about this band. But people who got into it through Let It Come Down are as passionate about that album and then moved backwards to find the stuff that came before it. Some of it had ideas that didn’t quite hit but when it does hit, it’s way beyond where I thought it was gonna go; it’s got these extraordinary parts that I don’t think I could get anywhere near again.

We were the best band when we ran at ‘we can’t really fucking afford this but let’s do it anyway’. I still think that if it’s gonna fail, it’s gotta fail big. And that’s ok. I still feel like that.”


Let It Come Down

Xsnoize Author
Mark Millar is the founder of XS Noize and looks after the daily running of the website as well as hosting interviews for the weekly XS Noize Podcast. Mark's favourite album is Achtung Baby by U2.

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