STEVEN WILSON’s seventh album, THE HARMONY CODEX is currently No. 2 on the midweek UK Album Charts

STEVEN WILSON
Credit: Hajo Mueller

Steven Wilson’s seventh album, THE HARMONY CODEX, is currently No. 2 on the midweeks in the UK Album Charts, with only Ed Sheeran ahead in sales.

Steven’s last two albums – To The Bone and The Future Bites – charted at 3 and 4, respectively (To The Bone was beaten to the top spot by Ed Sheeran); Wilson’s last album with his band Porcupine Tree (Closure/Continuation) charted at No 2 in the album charts on release last July.

The seventh album from one of the country’s most singular talents, THE HARMONY CODEX, is akin to losing oneself in an Escher drawing made purely with sound. Over the album’s ten tracks, Steven Wilson navigates a tangle of memories and walks the listener down pathways where shadows cast by reflection, rumination and regret grow long.

This codex is a vivid tapestry conceived and pieced together by an artist working alone in a studio tucked inside the garage of a North London townhouse, with assistance called in from musicians from all around the globe (including long-time studio partners Ninet Tayeb, Craig Blundell and Adam Holzman alongside a host of first-time collaborators including Jack Dangers of Meat Beat Manifesto and Interpol’s Sam Fogarino). Each player was invited to add their individual stamp to the record. The snares, strings and sampled sounds each artist sent down the wires were woven in to make the music that starts the trip.

And it is a trip. Constantly evolving over 65 minutes, THE HARMONY CODEX starts with Inclination – a track built on the foundation of a precision rhythm that’s both mechanical and martial. As seemingly incongruous elements fall on top, the whole thing unfolds into a swirl of mesmerising digital soul. From there, the record swoons on a wistful acoustic breeze (What Life Brings) before crunching through with bone-rattling tribal drumming and a subsonic bassline (Beautiful Scarecrow). Elsewhere, stuttering drum loops are welded to spidery, scratchy gothic guitar lines (Actual Brutal Facts), fragile electronics open out like the night sky from behind clouds (Economies of Scale) and myriad instruments perform a mind-bending, genre-flipping highwire act over ten minutes (Impossible Tightrope). Time and again, the lyrics return to that map of memory and those long, long shadows.

While THE HARMONY CODEX nods to records from Steven Wilson’s recent past, at times echoing the paranoid rumble of 2008’s Insurgentes, the crystalline electronics of 2021’s The Future Bites and the expansive storytelling of 2013’s The Raven That Refused To Sing (and Other Stories), where he has managed to create something entirely unique, a record that exists outside of the notion of genre. And although THE HARMONY CODEX is a record made with spatial audio in mind, it’s not one that needs an elaborate sound system to lift you out of the body – two speakers and an open mind will do just fine.

INTERVIEW: Unlocking The Harmony Codex: A Conversation with Steven Wilson

THE HARMONY CODEX features:

1 INCLINATION

2 WHAT LIFE BRINGS

3 ECONOMIES OF SCALE

4 IMPOSSIBLE TIGHTROPE

5 ROCK BOTTOM

6 BEAUTIFUL SCARECROW

7 THE HARMONY CODEX

8 TIME IS RUNNING OUT

9 ACTUAL BRUTAL FACTS

10 STAIRCASE

 

Xsnoize Author
Mark Millar is the founder of XS Noize and looks after the daily running of the website as well as hosting interviews for the weekly XS Noize Podcast.Mark's favourite album is Achtung Baby by U2.

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