LIVE REVIEW: BRITs Week for War Child presents Sleaford Mods at Scala, London

BRITs Week for War Child presents Sleaford Mods at Scala, London
@yascowan

The BRITs Week live event featuring Sleaford Mods marked a remarkable evening at a small grassroots venue with a 2,000 capacity, all supporting War Child—a noble cause aiding children affected by global conflicts.

Sleaford Mods performed at the Scala, creating a sense of closeness and exclusivity for the sold-out gig dedicated to raising funds for War Child, the exclusive charity for children in conflict zones.

BRITs Week for War Child presents Sleaford Mods at Scala, London
@yascowan

As the audience entered the Scala, they were greeted with an atmosphere of haze and vibrant strobe lights, perfectly complementing the dynamic performance that unfolded. The warnings of the sensory experience proved justified, with five scorching yellow neon lights illuminating the stage against a backdrop resembling a starless night sky. Sleaford Mods emerged as silhouettes amidst the captivating lights, receiving a hero’s welcome from the packed venue.

The setlist, dominated by tracks from their latest album, “UK Grim,” showcased the duo’s versatility. The opener, sharing the album’s title, seamlessly transitioned into the dance-commanding “On the Ground” and the aura-filled “Pit 2 Pit,” reminiscent of Jamie T’s iconic “Sticks ‘n’ Stones.” “In Quiet Streets” added an up-tempo vibe, evoking the energy of the Manic Street Preachers’ “The Love of Richard Nixon” with a heavier bassline.

BRITs Week for War Child presents Sleaford Mods at Scala, London
@yascowan

The performance gained momentum as Jason Williamson’s lyrics delved into seagull antics, fist fights, and societal critiques, captivating the audience with political and riotous themes. “Tory Kong” briefly slowed the tempo, while the infectious “Fudge It,” featuring Amy Taylor from Amyl and the Sniffers, showcased the band’s hypnotic street-themed sound. The night’s highlight was undoubtedly their cover of the Pet Shop Boys’ “West End Girls,” receiving the most fantastic ovation from the enthusiastic crowd.

Sleaford Mods, emerging in 2007 amidst austerity, provided a powerful reminder that they haven’t forgotten the struggles of everyday people. The set, dominated by their latest material, also delved into their extensive back catalogue, offering a comprehensive musical journey. With the support of War Child, Sleaford Mods ensures that the plight of children affected by global conflicts remains in the spotlight.

BRITs Week for War Child presents Sleaford Mods at Scala, London
@yascowan

Beyond the musical prowess, Sleaford Mods celebrated the significance of longstanding small grassroots venues like Scala. Despite arguments about repurposing these spaces for profit, the event highlighted the venues’ commitment to a greater cause. Since 2009, excluding 2024, these venues have contributed a commendable £7 million to War Child through BRITs Week benefit gigs and donations, emphasizing the enduring impact of supporting music and philanthropy.

To donate to War Child and find out more, please visit https://www.warchild.org.uk/.

 

Xsnoize Author
Michael Barron 340 Articles
Michael first began writing whilst studying at university; reviewing the latest releases and live gigs. He has since contributed to the Fortean Times as well as other publications. Michael’s musical tastes vary from Indie to psychedelic, folk and dubstep.

Be the first to comment

Leave a Reply

Your email address will not be published.


*