M the Myth is someone not afraid to break boundaries. An artist who identifies as trans-non-binary, both they and their music represent what it means to be unashamedly yourself. Myth’s music serves as a mouthpiece for LGBTQIA individuals and artists who are perhaps struggling to find their way in their world or facing adversity from society.
And through Blonde Records and Artist Management, which they co-founded, they work tirelessly to create and expand opportunities for them. Here, having just dropped the music video for their latest single, “Pin-Up Boy,” M the Myth reveals the story behind their moniker, expresses their delight at more LGBTQIA artists finding their place in the world, and teases what the upcoming year holds for them.
Who exactly is M the Myth?
M the Myth is a creative extension of me, M, which is actually pronounced “mmmmhm.” It’s a vibration, a frequency that connects to the universe on multiple levels—astral planes, dimensions—you name it. But here’s the thing: it’s not unique to me. I believe everyone is doing this in their own way, whether they realize it or not. The “Myth” part comes in because it’s the intentionality behind that vibration.
It’s about stepping back and seeing life from a non-linear, non-spatial perspective. We create who we are. M is this infinite, collective energy, and Myth is the story we craft about ourselves. Together, they form a creative entity that I embody—M the Myth. As an artist, my job is to capture the process of this equation—what it looks, smells, tastes, feels, and sounds like.
What made you decide that M the Myth was the perfect moniker for you as an artist?
It feels vast enough to contain the constant change I experience in my identity. My given name starts with M, and for a while, I just went by “M!” which was the androgynous, multifaceted part of me. Then “The Myth” came in to reflect the story—the creation of the character, the message that we are who we choose to be. Together, M the Myth elevates my soul, it encapsulates my journey as an artist. The name gives me the room to grow and evolve, which is everything I need. I’ll keep changing and becoming; the name allows me to keep that space open.
What sets you apart from the many other bands and artists today?
I believe we’re all connected—at the core, we’re the same. But I do think it’s our differences that make life beautiful. I’ve always known there’s something different about how I process the world. My brain doesn’t work like most people’s, and I’ve always been drawn to blending elements that might seem like they don’t belong together.
Take Pin-up Boy, for instance. It’s a sexy, rebellious dance track on the surface, but it’s so much more than that for me. I’m not just singing about sexual freedom or breaking down gender norms—there’s an entire journey embedded in the track. It’s about identity, liberation, and empowerment, wrapped in a sound that invites people to connect with themselves more deeply. You’re not just hearing music; you’re feeling energy, stories, and emotions beyond what’s spoken or sung.
What sets me apart is that I intend my music to carry these kinds of multi-layered experiences. I’m constantly weaving invisible threads of intention through my work, tapping into something spiritual that resonates on a deeper frequency. It’s about pushing past the surface, about creating art that feels like a personal invitation to expand and evolve. Bringing together what might seem disconnected and showing how it all fits together in unexpected ways–that’s what sets me apart.
Is there a particular story or idea behind your new single “Pin-Up Boy”?
“Pin-up Boy” came from a gritty, primal bass loop I found while scrolling on Splice. It hit me right in the root chakra, super raw and sexual. I took that energy and ran with it. The song became a celebration of sexual liberation, a challenge to break free from the boxes society puts us in, whether that’s about gender, sexuality, or body image. It’s all about body empowerment and owning who you are. I want people to hear this track and feel like they can smash through any limitations and fully express themselves.
You’ve also just dropped a music video for the track. Tell me a bit about that.
The “Pin-up Boy” music video is like a gender-fluid fever dream. It’s fast-paced and filled with bursts of red, white, and black—symbolising chaos and liberation for me. Filmed at the PJ Hub in Los Angeles, it’s all about self-discovery and freedom. It’s visually inspired by The Matrix, Alice in Wonderland, and 80s glam rock. Think of it as taking the red pill, not just to wake up, but to shatter those patriarchal walls that keep us boxed in. It’s wild, sensual, and me embracing parts of myself I haven’t shown before. I invite viewers to step into my mind and witness this unchained version of me.
As a trans-nonbinary artist who isn’t afraid to challenge traditional gender norms in both the music industry and society, how does it feel to see more LGBTQIA artists finding—and owning—their place and space in the world?
It’s f***ing awesome. We’ve always been here, but now we’re getting the recognition and space we deserve. Seeing artists like Chappell Roan break through in such impactful ways is beautiful. It gives me goosebumps. The industry is shifting. The patriarchy is crumbling, and we’re learning to embrace each other in ways we never have before. It’s powerful.
What is the nicest thing anyone has said or written about you and your music? And how do you handle any criticism that comes your way?
It wasn’t something written, but more of a look. In one of my last shows before COVID, I saw this fan’s face in the crowd—she was just awestruck. It was her first time seeing me live, and I could see her whole energy change before and after the show. That transformation is what I live for. As for criticism, I love it! Bring it on. Feedback, hate, pain—it’s all part of the experience. It motivates me and pushes me to grow. Different opinions are valuable and are part of the experience.
You’re active on several social media platforms. How important is it for artists today to connect with audiences through platforms like X and Instagram?
Social media is both a blessing and a curse. X has become a toxic space, especially for LGBTQIA+ folks, so I’m a bit conflicted about it. But social media is generally essential for connecting with fans—it’s where people are. It’s like this mirror reflecting a collective spiritual consciousness. There’s a lot of toxicity, but there’s also so much opportunity. In-person interaction will always matter, but social media lets us connect beyond time and space, which is incredible. It helps us grow communities and feel less alone.
You’re the co-founder of Blonde Records and Artist Management. What qualities do you look for in artists you’re considering working with?
We’re looking for artists who bring love, light, and evolution—artists who celebrate each other and want to make a massive impact. We prioritize marginalized voices—LGBTQIA+, BIPOC, women, artists with disabilities—because these are the voices that need to be heard. At Blonde Records, we’re shaping culture by amplifying artists who are moving the needle, who are unafraid to challenge the status quo and bring a fresh perspective to their craft. But beyond that, mental health, rest, and self-care are at the forefront of what we value. We want artists to thrive holistically, not just survive the grind of the industry. Creating sustainable careers and fostering environments where artists can flourish creatively without burning out is essential to us. It’s about cultivating both artistic and personal evolution.
You recently co-hosted the Wavy Awards. Can you tell us about the awards and how you got involved?
My manager-turned-business partner, Rebecca Autumn Sansom, came up with the idea of creating an updated version of the Grammys, but focused on celebrating marginalized artists and called it the Wavys—based on .wav files! I was floored. At the time, I struggled to gain traction in my career, and celebrating artists like me felt revolutionary. The Wavys became a massive, inclusive party to which everyone was invited. I’m now more behind the scenes, handling operations and admin. Our next event is on November 17th in LA—it will be a brunch mixer with an open mic. We’re epically excited!
Finally, what’s next for you with your new single out now? Are there any exciting plans for 2025?
So much! I’ve got one more single dropping in 2024, then another single and a music video early in 2025, leading up to the Pin-up Boy EP release. I’m beyond excited! I also just launched M the Myth Productions this year, and my first client’s album, Beauty by Michael Rider, is coming out soon. It’s beautiful work—we spent almost two years on it, and I can’t wait for people to hear it. 2025 is going to be filled with more collaborations, more music, and more magic. Stay Mythic!
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