Album Reviews

ALBUM REVIEW: TESS PARKS & ANTON NEWCOMBE – I DECLARE NOTHING

ALBUM REVIEW: TESS PARKS & ANTON NEWCOMBE – I DECLARE NOTHING

On June 29th Tess Parks & Anton Newcombe release the results of their exciting collaborative effort entitled I Declare Nothing. It…

9 years ago

ALBUM REVIEW: GENGAHR – A DREAM OUTSIDE

North London’s psych-pop four piece Gengahr release their Debut LP A Dream Outside on 16th June. Falsetto vocals and psychedelic…

9 years ago

ALBUM REVIEW: JAMIE XX – IN COLOUR

Jamie XX’s debut solo album follows the excellent Gil Scott Heron collaboration We’re Not Here which was one of 2011’s…

9 years ago

ALBUM REVIEW: PRINZHORN DANCE SCHOOL – HOME ECONOMICS

Tobin Prinz and Suzi Horn aka Prinzhorn Dance School return with their third album Home Economics, an album that boils down…

9 years ago

ALBUM REVIEW: WOLF ALICE – MY LOVE IS COOL

Few young bands have experienced the amount of anticipation for their debut release as Wolf Alice have encountered. Their first…

9 years ago

ALBUM REVIEW: HEARTLESS BASTARDS – RESTLESS ONES

Blues-rockers, Heartless Bastards, release their latest Album, Restless Ones on 22nd June. The album is littered with dirty blues riffs…

9 years ago

ALBUM REVIEW: OF MONSTERS AND MEN – BENEATH THE SKIN

Of Monsters and Men release their follow up to 2011's My Head is an Animal in the form of Beneath…

9 years ago

ALBUM REVIEW: MUSE – DRONES

Muse release Drones, their much anticipated follow up to 2012's 2nd Law on 8th June. Their previous 2 releases were…

9 years ago

ALBUM REVIEW: THE FLAWS – SPRINGTIME FOR THE FLAWS

Carrickmacross quartet The Flaws 3rd Studio Album , Springtime for The Flaws is their first LP in 5 years. A…

9 years ago

ALBUM REVIEW: FLORENCE AND THE MACHINE – HOW BIG, HOW BLUE, HOW BEAUTIFUL

Florence Welch front woman for Florence and the Machine is the latest in a line of storied powerfully bewitching songstresses…

9 years ago

ALBUM REVIEW: WOODENBOX – FOREIGN ORGAN

As I've no doubt said before, Olive Grove Records is a label that keeps releasing outstanding music seemingly effortlessly. The…

9 years ago

CLASSIC ALBUM REVISITED: The Sundays – Reading, Writing, and Arithmetic

It is hard to believe over twenty-five years have come and gone since Harriet Wheeler of The Sundays angelic voice…

9 years ago

ALBUM REVIEW: THE VACCINES – ENGLISH GRAFFITI

The Vaccines are a group that seems to elicit either slobbering affection or almost incoherent hatred from the Indie/Alt community.…

9 years ago

ALBUM REVIEW: BRANDON FLOWERS – THE DESIRED EFFECT

God love Brandon Flowers, who has become as well know for the habit of putting his foot in his mouth…

9 years ago

ALBUM REVIEW: APOSTILLE – POWERLESS

Michael Kasparis records under the name Apostille and this week released his debut album Powerless which is already one oF…

9 years ago

ALBUM REVIEW: ORPHAN BOY – COASTAL TONES

Thankfully normal life after being in a band did not work out for the members of Orphan Boy. The band…

9 years ago

ALBUM REVIEW: HOT CHIP – WHY MAKE SENSE?

Hot Chip return with a sixth album, recorded against a background of the band’s concerns about whether or not they…

9 years ago

ALBUM REVIEW : NORTHERN AMERICAN – MODERN PHENOMENA

Hailing from the sun filled city of LA, the quartet Northern American releases their first full length album on May…

9 years ago

ALBUM REVIEW : DU BLONDE ‘WELCOME BACK TO MILK’

Often times when a young artist takes on a new incarnation, changing their name and dismissing their band, it can…

9 years ago

ALBUM REVIEW: BLACK REBEL MOTORCYCLE CLUB – Live In Paris

LA based rockers Black Rebel Motorcycle Club have released their double album Black Rebel Motorcycle Club: Live In Paris and…

9 years ago